I’m sure it’s nothing new to regular readers of this space that I’m no wild-eyed flute fan. That being said, there’s no question that Andrea Brachfeld is a superb player and has chosen stellar musicians on this session; she selected some well loved tunes, too. Her basic rhythm section is comprised of the very creative pianist Bill O’Connell and includes Rufus Reid, bass, and Winard Harper, drums. A few guests also show up, the best known of whom is trombone dignitary Wycliffe Gordon. His sousaphone growls give Herbie Mann’s “Memphis Underground” a very New Orleans flavor (despite the title).
Among the tunes, “What A Little Moonlight Can Do” is treat- ed as a ballad and works wonderfully well that way. George Shearing’s “Conception” is working its way toward standard status, and Brachfeld and company give it a fresh and unfettered look. Two Billy Strayhorn gems, the title tune and “A Flower Is a Lovesome Thing,” add a classy touch. Finally, Brachfeld adds five of her own compositions to the set, all of which are tunefully pleasant works. Gotta give her credit. She has big time chops and has made an enjoyable album.
Jazzheads; 2015; 66:58.
George Fendel
Jazzscene