For a great part of jazz history, flute was often a second or third instrument primarily played by saxophonists. But since the beginning of the 21st century, a number of exclusive flutists have come to prominence, though they still have to deal with critics who routinely focus on seasoned reed players for whom flute is only an occasional choice.
Andrea Brachfeld is a veteran player who didn’t focus primarily on jazz during the early part of her career and she is still not as widely known as she ought to be. She has drawn critical acclaim for several recent recordings and for this session, she recruited old friends pianist Bill O’Connell and bassist Harvie S along with the young drummer Jason Tiemann, a rising talent both men recommended.
The music mixes the leader’s originals and works composed with O’Connell. “The Listening Song” has a deceptive title, vivacious postbop marked by explosive piano and spirited flute. “Creating Space” (co-written with O’Connell) is tense, brooding balladry set up by a droning bass vamp, Brachfeld conveying both wistfulness and hope with her emotional flute. “Anima Mea” (another collaborative work) is punctuated by inspired flute, recalling Eric Dolphy, with the ample fuel of bass and drums for its flight. Brachfeld and O’Connell’s “Moving Forward” is a brisk vehicle whose many sudden twists the band negotiates expertly and features adventurous soloing by the co-composers. Hymns are occasionally explored in jazz and Brachfeld’s extended interpretation of “Amazing Grace” touches many bases, including soul jazz and a bit of R&B. Darting, adventurous flute and angular, stirring piano keep the performance from losing steam.
With this rewarding release, Andrea Brachfeld has made a strong statement as a flutist, bandleader, collaborator and composer, so she is destined to gain greater attention in the near future. ~Ken Dryden, May 2018, New York City Jazz Record